An archive as a project. Through a process of design investigation and experimentation, it intends to bring us questions about the present’s obsolescence. Not only it is a personal project based in the documentation of a material set, which has accompanied Digo for 22 years, also involves the destruction of this accumulation, and therefore, the assimilation of the ephemerally and the importance on forgetting over the action of remembering.
After this auto destructive process, Digo ask theirselves if they will be able to get over this Diogenes syndrome and become to a rite of passage towards somewhere else, where they can detach theirselves from all material memory in order to start all over again.

On the other hand, they wonder if in our contemporary socio-cultural context, the archives are sill considered functional, and if the preservation of material culture has become something useless.